Note sul campo per la risposta lunga

A horror portrait only works if the viewer still recognizes the person. This guide shows the order of operations that keeps the face intact while the costume and scene change.

A costume preview is useful only if it helps you decide. This guide turns the costume generator into a structured test: silhouette first, fabric second, face and hands always.

Pets are a harder image-edit problem than people. This guide shows how to keep the animal recognizable and catch the anatomy failures that make a cute costume unusable.

Two faces are harder than one. This guide covers separate references, identity anchors, composition, and the exact checks that catch a swapped or merged face.

A five-second clip is not a mini-movie. It is one shot with one readable change. This guide shows how to plan it, prompt it, and check it before you spend credits.

VHS horror is a texture problem, not a generation problem. This guide shows how to generate a clean motion plate and add the texture where you can actually control it.

A poster is a photograph and a type system. This guide separates the two so the image model does the photograph and the local editor does the title.

A poster prompt should describe one frame, not a whole plot. This guide shows the five-part structure that makes a horror poster readable at thumbnail size.

A ghost photo works when the foreground is sharp and the echo is soft. This guide covers the visual technique, the ethical label, and the model workflow.

An avatar is a thumbnail. This guide shows how to design a horror profile image that still reads when the platform shrinks it to a tiny circle.